A Great Opening and A Memorable Ending
A Great Opening
Well begun is half done.
This age old adage is as relevant today as it was centuries
ago.
A good story invariably has a good opening.
And what purpose does it serve?
Firstly, it arrests your attention. The first few lines excite your interest and draw you into
the narrative.
You get glued and feel like reading more.
In this context, let’s examine Too Dear, a short story adapted by Leo Tolstoy, that master
storyteller of all times.
The title itself is so endearing and arouses the reader’s curiosity
instantly.
In fact, it’s a good idea to decide on the title first as that contains
the gist of your story and creates the initial impression. However, in your
exuberance to devise a catchy title, don’t leave it disconnected from the main
story-line. At times, you may come to the right title only after finishing the
complete story and on other occasions, you may actually experiment with a
number of titles before finalizing the one that clicks with you the most.
This is how Tolstoy launches his story:
‘Near the borders of France and Italy, on the shore of the
Mediterranean Sea, lies a tiny little kingdom called Monaco.’
The opening has an old world charm about it. It has a kind of innocence
and simplicity that serves as an essential background when it comes to
resolving the central dilemma, that is, how to execute a murderer since the
kingdom ‘neither had a guillotine for cutting heads, nor an executioner.’
It also serves to distance the reader from the narrative which revolves
around finding a suitable method to realize the punishment and throws deep
insights on the entire gamut of crime and punishment. But it is the objective
tone set by the opening that runs through the entire story.
Equally disarming is the now famous opening of Pride and Prejudice by Jane Austen:
‘It is a truth universally acknowledged that a single man in possession
of a good fortune, must be in want of a wife.’
If you read the opening again after going through the novel, you would
realize that this single line contains the essence of the story so readily.
And that’s what a great opening aims to achieve.
It sets the tone and gives you a hint of what to expect.
A good beginning moves steadily towards the focal point of
the story and thereafter, to its conclusion.
However, the point to be kept in mind is that an opening
should not reveal too much, otherwise the reader’s interest in the story may wane
away too soon.
A Memorable Ending
This is the last segment of the beginning, middle and end structure that
we studied in detail in our previous blog at:
What needs to be remembered here is that while a good opening flows
effortlessly towards an equally good finale, the ending per se may be gradual
in nature or a surprise one.
The ending in Too Dear that
we just scanned above, is a gradual one in that the story prepares the reader
for such an ending through a carefully crafted middle where in absence of a
solution as to how to punish the murderer without incurring heavy expenses, he
is set free, that too with an annual pension.
The last few lines serve to illuminate the reader’s mind on a crucial
subject:
‘It is a good thing that he did not commit his crime in a country where
they do not grudge expense to cut a man’s head or to keeping him in prison for
life.’
The murderer eventually undergoes a transformation and starts leading a
normal life, something that would not have happened had he been sentenced to
death by hanging or life imprisonment.
On the other hand, you have endings that take you by surprise. They
shock you and challenge you to accept a new reality, channelizing your energies
in a completely different direction.
The surprise ending of Anton Chekhov’s Vanka breaks your heart when a nine year old boy, leading a
miserable life with his master who is a shoemaker, writes a letter to his
grandfather about his miseries and request him to take him away. Not sure of
the address, he just mentions ‘To Grandfather in the village’ and drops it into
the letter box.
The last few lines of the story haunt you for a long time:
‘An hour later, lulled by rosy hopes, he was fast asleep. . . . He
dreamed of a stove. On the stove-ledge sat his grandfather, his bare feet
dangling, reading the letter to the cooks. . . . Eel was walking backwards and
forwards in front of the stove, wagging his tail. . .’
Another point to note here is the fact that while the ending of Too Dear is closed in nature, Vanka has an open ending wherein the
reader is called in to guess the fate that awaits the poor boy for the rest of
his life. Or is it that by some stroke of luck, the letter still gets delivered to the grandfather? No one actually knows.
As in life so in fiction, a great opening arrests the reader’s attention
and moves towards an engaging middle and thereafter leads to an illuminating
ending that serves to deliver a gratifying and holistic reading experience
which remains with the reader like memories of an unforgettable dream.
I invite you now to read my short story The Taste of Onions as a further example of the subject under
discussion at
It's an engaging tale about a devoted housewife who goes out of her way to promote her husband's career but a shocking revelation awaits her round the corner.
This story has a surprise ending and aims to weave the reader into the
story’s fabric.
Thanks for reading my blog.
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